Blog Post

The Montgomery News to Help Bring Matt Christopher’s Baseball Classic to the Screen

  • By Norman Silverstein
  • 10 Feb, 2017
        As Little League launches across the country and in ever expanding parts of the world, May means it is time for kids to practice their home run swings and imitate modern baseball greats such as Ohtani, Trout, Stanton, and Yoenis.
        Kids dream of becoming their heroes, adopting their walk, their stance, the way they chew gum or spit seeds. It is the right of spring to dream big.
        What if the greatest home-run-hitters of all time actually could teach a kid to hit a homer every time?
        It happens in Matt Christopher’s The Kid Who Only Hit Homers — the first in a series of four novels featuring Sylvester Coddmeyer III, a boy who learns to play baseball through “visitations” from major league icons.
        Christopher (1917 - 1997) wrote more than 100 young adult novels. His most frequent and best-selling books — more than 30 million copies — were about baseball, with The Kid Who Only Hit Homers (1972) considered one of his very best.
        The baseball classic is “ready to stand alongside The Sandlot, Field of Dreams, and The Natural,” according to Wayne
Chesler, a producer and director of television sports programs, including ESPN’s “SportsCentury” and HBO’s “Real Sports with Bryant Gumbel.” (Both series have won Sports Emmy awards.)
        Chesler, who also owns Joe Bink Films in Massapequa Park, Long Island, has optioned the entire Matt Christopher library from Little Brown Publishers and has adapted the classic baseball book into a feature film trilogy.
        The Montgomery News staff recently met with Wayne to discuss the Matt Christopher project, which is a collaboration with Mighty Oaks Media, the parent company of
the newspaper.

        MN: How were you introduced to the Matt Christopher books?

        Chesler — He was my favorite author when I was in elementary school. I read every book the school library had, and ordered more from book club offerings. I still have a copy of The Reluctant Pitcher that never made it back to PS 203’s library. I used to sleep with it under my pillow.
        These books tap the inner child in us — that time of innocence and wonder. No matter when you grew up or where, that kid’s journey was and still is always the same for every kid.

        MN: How did you get involved with acquiring the rights?

        Chesler — A number of years ago, my middle son came to me very excited and holding a copy of The Kid Who Only Hit Homers.
        “Dad,” he said, “you have to make this into a TV Show!”
        I didn’t realize the books were still out there. I felt like I was 12 years old again just looking at the book. So I made some calls and eventually got to the publisher, Little Brown, and then to the estate. Christopher died in 1997, so I met with his children. We established a good relationship and they trusted me with their dad’s work.
        In fact, his children still sell and publish new titles. I recently read an article in the Hollywood Reporter, in which Dan Fogelman, the creator of “This Is Us,” talked about his love for these books, and specifically The Kid Who Only Hit Homers.

        MN: What is the plan?

        Chesler — We have spent the last few years developing the books into scripts for both short and long form projects. The Kid
Who Only Hit Homers is the flagship project to launch the brand.

        MN: Is it a big departure from the original Christopher book?

        Chesler — The main characters are who they are. Can’t mess with Sylvester Coddmeyer III or the Babe, but we expanded the story. The story arcs are much more developed for a trilogy of films, but the heart of the story that Christopher created is very palpable throughout.

        MN: Does the story still take place in the 1960s?

        Chesler — No. The Christopher family has been 100 percent supportive of contemporizing the stories. It is a modern day baseball fairy tale now with a timeless ghost story.

        MN: What is the Hollywood elevator pitch?

        Chesler — “Who is the mysterious mentor who turns an average tween into a super slugger? And, why do the ghosts of Cooperstown rally the tween and his team to journey from the sandlot to the Hall of Fame to save the integrity of the National Pastime? This summer adventure will drive you absolutely batty trying to figure it all out.

        MN: Is it a mystery?

        Chesler — It is a baseball fairy tale that mixes the sentiment and mystery of Field of Dreams with the archaeological ruckus of Night at the Museum and topped with a pinch of Harry Potter potion. We do have a Nancy Drew character as well.

        MN: Where are you with getting this produced?

        Chesler — We have support from the MLB Baseball Hall of Fame and we have the “pitch” into the Yankees.
        We also have begun the funding process. Mighty Oaks Media, publisher of The Montgomery News, is one of initial investment partners in the project.

        MN: Why would the MLB get involved in this project?

        Chesler — When Commissioner Rob Manfred took over a couple of years ago, youth participation was at the front of his agenda. Still is. The commissioner is also looking to expand the game internationally. MLB has scheduled games in London next season. A main story line in our films incorporates that aspect as well.
        Promotions are a big part of baseball games, and over the last few years movies like The Sandlot have screened in stadiums after games. It’s wonderful wholesome family time. So maybe we will have a Matt Christopher family night once a year after a late afternoon summer game as well.

        MN: Do you have specific actors in mind for the movie characters?

        Chesler — One of the goals of the project is to cast the film a la American Idol — have kids tryout for the parts, send in their auditions. What kid wouldn’t want a shot? ■

Agents or investors interested in collaborating, please contact Wayne Chesler at binkfilms@gmail.com.
By The Montgomery News 26 Sep, 2018

The Montgomery News has a new owner, Mighty Oaks Media. The principal owner of the company is Norman Silverstein, a resident of Hillsborough, who is married to Rosa and has three children. Mr. Silverstein is a graduate of Rutgers College and Brooklyn Law School and has had a diverse and successful career with a wide range of knowledge and experience in many fields.

Our staff had the opportunity to sit down with him and discuss his purchase of the newspaper:


Q: Did you ever read The Montgomery News  before you purchased it?

A: I live in a section of Hillsborough that receives the paper every month and I always found the local community news to be engaging and interesting. It is the best place to read about local happenings.


Q: How did you discover that the paper was for sale?

A: The previous owner, Cliff Moore, ran a “for sale” ad in The Montgomery News , I saw the ad and decided to call him. So, I can testify that newspaper advertising is very effective.

 

Q: But, why buy a newspaper, when many people would argue that the Internet is replacing newspapers?

A: If you want to read about world or national news, you can go online and access hundreds of articles on these topics, however, for community news, there is absolutely nothing like the local paper. Incidentally, The Montgomery News will have a new web edition, which we are in the process of creating, or updating and modernizing, so readers can go online and will be able to see the photos that we could not fit in the paper. Look for the web version in March.

 

Q: Do you have any experience in the field of journalism?

A: Growing up my father was an avid reader and he would buy four papers every day ( The New York Times, The Star-Ledger, The Wall Street Journal, The Daily News ), so I developed a passion for newspapers at an early age. I have never changed a car transmission, but I know where to find the best mechanic, so although I have never been a journalist, I knew where to find the perfect editor in chief for our paper, namely Barbara Preston.

 

Q: What is your vision for The Montgomery News ?

A: In my mind, community newspapers are not like other papers. The most important job for a community paper is to be an integral part of the community; we will be sponsoring various community activities, for example: a Little League baseball team, a UNICEF marathon at the school, and raising money for local charities. Our tagline is The Voice of Your Community; so there will be articles by our local politicians, our religious leaders, parents, and students . . . we want to be a catalyst within the community by encouraging community involvement and participation.

 

Q: Will the appearance and stories of the paper be changing?

A: We want to freshen-up the paper with a new look, to make it vibrant and enjoyable for our readers. We are in the process of planning new features and stories for the upcoming months and we can’t wait to hear the feedback from the community.

 

Q: Does Mighty Oaks Media own any other media properties besides The Montgomery News, and is there any significance to the name?

A: Mighty Oaks Media is a partner in a film production company, and we currently have two projects under development; a feature movie based on the Matt Christopher book catalogue of sports stories, and a TV documentary about El Padrino and the Cuban Mafia. However, The Montgomery News is our first newspaper and who knows, there may be more to come. The name Mighty Oaks Media is rooted in the phrase, “From little acorns grow Mighty Oaks.” Perhaps The Montgomery News will grow to be a Mighty Oak.

By Jeremy Sharon 26 Sep, 2018

  An expansion of the entrance and staircase leading to the egalitarian section of the Western Wall by Robinson’s Arch was approved by the Jerusalem Municipality earlier this month, as part of a broader plan to upgrade the site.

  Following the indefinite suspension of the comprehensive 2016 Western Wall agreement last year, Prime Minister Benjamin Netanyahu has been working to implement physical upgrades to the current egalitarian prayer section at the southern end of the Western Wall, known as the Ezrat Israel.

  The planned renovations are relatively modest, and consist mainly of extending the current prayer platform to reach the actual ashlars of the Western Wall on one level, as opposed to the current situation where a small, lower platform is the only place where the egalitarian section touches the wall.

  Other minor physical upgrades will also be made to make the prayer area more aesthetically pleasing and suitable for prayer.

  However, the plans to extend the prayer platform to the stones of the Western Wall actually received the requisite permits back in 2013.

  As part of the current upgrades, the Prime Minister’s Office is also seeking to create a more suitable and noteworthy entrance to the egalitarian section and broaden the staircase leading down to it, something which was not included in the 2013 permits.

  The egalitarian section is below street level and is accessed by a narrow, winding staircase and walkway, the entrance to which is between Dung Gate and the southern entry point to the Western Wall plaza.

  In order to obtain the requisite permits to expand the new entrance and broaden the staircase and walkway, the PMO through the Jerusalem Municipality made use of regulations requiring disability access.

  This meant that seeking the approval of the Jerusalem Municipal Council could be avoided, which would have likely been blocked by the hareidi and national-religious parties in the council.

  The Women of the Wall prayer group deplored the plans for the upgrade and the use of disability regulations.

  “Adding a few meters under the guise of helping the handicapped is like telling Rosa Parks ‘We’re putting air conditioning in the back of the bus. Would you move there?’ It’s still the back of the bus!,” declared Women of the Wall chair Anat Hoffman. “The reason she wanted to sit in the front is because she wanted to live a normal life and be recognized as a human person. Likewise, [we] will not settle for less.”

  Dr. Yizhar Hess, director of the Masorti (Conservative) Movement in Israel, said that he was “satisfied with the bottom line” of the new plans, which will allow many more people to conduct Bar and Bat Mitzvah ceremonies at the site due to the enlarged area, particularly touching the wall itself.

  He said however that the planned upgrades were a far cry from what was agreed in the 2016 solution, that they should be done in a more official manner, and that the use of disability regulations made them feel like “thieves in the night.”
By Mike Fleming Jr 10 Feb, 2017

  EXCLUSIVE UPDATE: Paramount has prevailed in a seven figure deal to develop a movie out of The Corporation: An Epic Story of the Cuban American Underworld. The deal was sold based on a 100 page proposal for a book by TJ English. Benicio Del Toro is attached to play Jose Miguel Battle Sr. (“El Padrino”), the leader of “The Corporation” – also known as “The Godfather.” Appian Way’s Leonardo DiCaprio and Jennifer Davisson will produce with The Picture Company’s Andrew Rona and Alex Heineman. They will produce with Jaydee Freixas and Tony Gonzalez, who controlled the rights. Paramount’s Liz Raposo championed this and Michael Hampton is the Appian Way exec who was all over this. It got pretty hot and heavy today in bidding, with multiple suitors in the mix. David Matthews, a writer on the HBO series Vinyl, will adapt the book.

  Battle had an illustrious career on both sides of the law. He was Batista’s bag man, bringing him his cut from the gambling casinos when the Mafia ran Cuba. Battle escaped to the States where he and other Cubans were trained by the CIA to invade the country at the ill-fated Bay of Pigs. Having saved the lives of 28 of his men, The Godfather came out of that debacle as a certified hero to many Cuban-Americans. The core of the gang had been trained as a unit, and together formed “The Corporation.” They started out running the popular numbers racket, known as “bolita,” but soon moved on to money laundering and murder. The nonfiction book will be published in winter 2017 by William Morrow. It’s being called a Cuban version of The Godfather and American Gangster. Several other studios bid on the property. There was one from Sony, with Scott Rudin, Amy Pascal and Paul Greengrass, but they bowed out early this evening over price. Ratpac and Heyday were into it with Oscar Isaac attached to play the title character; Lionsgate and MGM teamed with Joby Harold and Tory Tunnell’s Safehouse Pictures and Antoine Fuqua; and Universal and producer Scott Stuber were also bidding. Paradigm brokered the book deal, and LBI Entertainment reps Del Toro, DiCaprio and Appian Way. This was a statement buy for Paramount in its relationship with Appian Way, which just moved its deal over there from Warner Bros. It is a priority for Brad Grey to get the prolific production company into big properties, and this has the potential to be just that. Del Toro is coming off a sizzling performance in Sicario, and this is an opportunity to play another badass character. It also gives The Picture Company a big film, as it preps the Liam Neeson-starrer The Commuter.

  This comes on the heels of last month’s book rights deal that was culminated the biggest and wildest auction in memory, when Imperative Entertainment paid $5 million to win rights to make a movie out of David Grann’s book Killers Of The Flower Moon: An American Crime And The Birth Of The FBI, which Doubleday is publishing next spring.

  1st UPDATE: Two other bidders also are after the Cuban American underworld tale The Corporation: Lionsgate and MGM for Joby Harold and Tory Tunnell’s Safehouse Pictures and Antoine Fuqua, and Universal with Scott Stuber.

  EXCLUSIVE, 2:54pm PST: A bidding battle has erupted over The Corporation: An Epic Story of the Cuban American Underworld, based on a 100-page proposal by bestselling author TJ English. The nonfiction book will be published in winter 2017 by William Morrow. It’s being called a Cuban version of The Godfather and American Gangster. Jaydee Freixas and Tony Gonzalez are attached to produce and they are on the ground floor of all the bids.

  This comes on the heels of last month’s book rights deal that was culminated the biggest and wildest auction in memory, when Imperative Entertainment paid $5 million to win rights to make a movie out of David Grann’s book Killers Of The Flower Moon: An American Crime And The Birth Of The FBI, which Doubleday is publishing next spring.

  Bidders are still mobilizing for The Corporation, but I’m hearing that Paramount is chasing it for its new first-look deal partner Appian Way’s Leonardo DiCaprio and Jennifer Davisson, with Benicio Del Toro eyeing the lead and The Picture Company’s Andrew Rona and Alex Heineman also producing, and Vinyl writer David Matthews attached to adapt. Sony is into it with Scott Rudin and Amy Pascal producing and Paul Greengrass part of it. A bid is mobilizing from Ratpac’s Brett Ratner and Heyday’s David Heyman, one where Oscar Isaac is being mentioned for the lead role.

  Here’s the logline: The unique, untold American gangster story of Jose Miguel Battle Sr. (“El Padrino”), the leader of “The Corporation” – also known as “The Godfather.” He was Batista’s bag man, bringing him his cut from the gambling casinos when the Mafia ran Cuba. Battle escaped to the States where he and other Cubans were trained by the CIA to invade the country at the ill-fated Bay of Pigs. Having saved the lives of 28 of his men, The Godfather came out of that debacle as a certified hero to many Cuban-Americans. The core of the gang had been trained as a unit, and together formed “The Corporation.” They started out running the popular numbers racket, known as “bolita,” but soon moved on to money laundering and murder.

  Battle and his associates never gave up the dream of killing Castro and reclaiming Cuba; they became financiers of the anti-Castro movement by funding paramilitary groups such as the Iran-Contras, Omega 7, and Alpha 66. The Corporation would survive and grow until finally being brought down by a detective who pursued them relentlessly for over 15 years. The story of The Corporation is not only the story of a unique criminal enterprise, but also the story of a generation and a culture defining itself through a brutal version of the American Experience.

  Paradigm is repping the whole package and this one could get big. Stay tuned.

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